Book Illustration
Books have been part of my life since I was small — they're one of the reasons I became an illustrator. There's something powerful about the way a cover can stop you before you've read a single word, and something equally powerful about an illustration mid-chapter that reframes how the text feels.
I experienced that first-hand on a university project: we were given The World of Colours — a preexisting book about where colours come from, what they mean, and why they matter — and asked to create interior illustrations for it from scratch, without looking at the original design. The hardest part was maintaining a consistent visual language across every spread. I decided to work with the same colour palette throughout, which sounds straightforward until you're trying to illustrate chrome yellow using a palette that also has to hold together for midnight blue. That constraint pushed me harder than I expected — and producing something that felt cohesive in spite of it is one of my favourite things I've made.